The Third Thing

Quips from canyon country

The Third Thing is named after a D. H. Lawrence poem by the same name. In the poem, published in 1929, Lawrence says:

“Water is H2O, hydrogen two parts, oxygen one,
but there is also a third thing, that makes it water
and nobody knows what that is…”

I stumbled across this poem several years ago in the introduction to a book about water, waterways, and the way water moves through our environment. There is something in particular about water that makes this poem so salient. It wouldn’t quite be the same with, say, air, or a couch. As soon as I read it, it was an “aha” moment. Yes, THAT is what I want people to understand. I’m less interested in the comprehension of science, politics, or even history (though I do care about those things). Because to even introduce discernment of that third unknowable thing is to foundationally change one’s life.

What good is a conglomeration of facts without the underlying current of interminable mysticism? Why have facts at all without uncovering a “third thing” within them?

I am profoundly drawn to unknowability in a culture that seems so certain of itself. Of course one must be immensely intelligent to understand how hydrogen and oxygen molecules chemically bond to form water (I certainly do not have that intelligence. What even are molecular bonds? Cosmic glue? Ecumenical ether?). But one must also have a boundless fortitude of attention to sense that something else—an utterly unknowable something else—makes H2O water.

Where I lack raw, scientific intelligence, I make up for it with attention.

Water—as Lawrence obviously understood—is perhaps the greatest example of a “third thing,” as it would be impossible for a human to go any meaningful part of their life without experiencing it in some tactile way. You can listen to a thousand lectures on molecular bonds and watch a hundred hours of videos of whales swimming through oceans, but it’s not until you sip a glass of water or submerge your body in a cool summer lake that you will come to see that water is made of something more than the sum of its literal parts.

The “third thing” is necessarily an experience. It can never be hallucinated into existence by AI or reduced to an algorithmic formulation. It is unlikely—unwilling even—to appear at a conference room table under the fluorescent glow of commodity or political production. Like a quantum system collapsing under observation, the spookiness of a “third thing” is that it arises simply from placing our attention somewhere deliberately into the real world.

But attention is an exploited resource. Corporations are relentless in their pursuit of our interiority. They are scraping the last dregs of our attention out from between our ribs, carving us up into parts, and reducing us to humiliating tags of data that can be bought and sold in a digital marketplace.

Without attention, third things cease to exist. Water reverts to a collection of molecules, and life degenerates into a series of optimization strategies to be tracked, measured, and ultimately capitalized into someone else’s profit.

What will happen when we regain control over our attention and withdraw it from corporate exploitation?

That is the question “The Third Thing” asks. When we pay attention, what “third things” can we initiate? What unknowables can we scoop out of the great celestial waves of the universe and give rise to?

Both my art and my writing created under the banner of “The Third Thing” are first and foremost an attempt to divest my attention from corporate greed, and re-invest it in my community. But this space is also built on a deep and abounding belief that meaning can only exist so long as there are unanswerable unknowns threading the fabric of our lives and that—thank god—some things will never be reducible to obvious, comprehensible units of production.

What you’ll get here

Free subscribers get:

  • Stories twice a month

  • Thursday Third Things — a weekly roundup of links, observations, and dispatches from the Western Slope, written the way I’d text them to a friend

Paid subscribers also get:

  • Normal Life Field Report — a monthly dispatch about the unglamorous, important work of making meaning when you’re not sure you have the bandwidth

About Me

I’m Anja Semanco — writer, illustrator, and desert dweller based in Grand Junction, Colorado.

By day, I work in public land advocacy and conservation. By every other hour, I’m writing stories about the magic of ordinary life and the stakes hiding in the landscape outside my window. My work has been nominated for the Pushcart Prize and Best American Science & Nature Writing. I’ve been published in High Desert Journal, Terrain.org, Jabberwock Review, Zoomorphic, and Mountaineers Books, among others.

Here are a few of my publications:

One Square Inch also viewable as a standalone essay on Outside here
Mountaineers Books | Campfire Stories II | March 2023

Quark Soup
Jabberwock Review | Spring 2023 Issue

What I Took From the River
Tulip Tree Review | Finalist for the 2022 Wild Women Contest

Passing Through the Keyhole
High Desert Journal | 2021 Best American Science & Nature Writing nomination

Encounters in a Museum
Terrain.org | 2016 Pushcart Prize Nomination

Standing on Stromatolites
Zoomorphic Magazine | Anthologized in Driftfish